6 Şubat 2013 Çarşamba

LET YOUR LIGHT SHINE

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LET YOUR LIGHT SHINE


Sandra here to welcome you to another day in this new year. Can you believe it is already the end of January?  And one of my favorite months is coming up. February.

Valentine’s Day should be a national holiday for romance writers and readers.
Don’t you think?

I mean a celebration that includes love, chocolate and flowers.  Wowza.




But on a more serious note I want to talk about something that has been heavy on my mind. After the tragic shooting of the children last month I read a statement that has been rumbling in my head. The question was, “Where were you God?” and the answer was “You took Me out of your schools.”  I can’t remember where I read this but it has been haunting me.

It is a question I have been dealing with as a writer. By writing for the ABA market, am I taking God out of my writing? Or am I bringing Him where He needs to be?

When Current of Love was due to come out, I signed with writerspace.com because they are touted as being a wonderful publicist. They represent many best selling authors who are friends of mine. But if any of you joined me on some of my chats you could see that they also represented authors who wrote genres that most Christians wouldn’t want to read.

So I’m thinking to myself, should I be here?

When I met some of the personnel from Amazon Publishing at the RWA conference in Anaheim last year, one of them made the comment, “Oh I bet you are glad that you will be able to write a lot of sex now.”

So I’m thinking, is that what Montlake wants? Is this where I want to be?

When I was writing for Avalon, they had me take out obvious references to God.  They wanted wholesome stories that didn’t have controversial elements such as religion, sex, violence. As a Christian author, I could certainly show God’s presence without telling. This was done by the actions of the characters, their values and their love.

Even though God wasn’t named, God was still there.  It warmed my heart when Vince said in one of his comments on our blog that he thought Price of Victory was very spiritual. God was still there and He reached a lot of people through that book.

I believe He is at Montlake as long as I am there. My stories will continue to be wholesome and my characters will show Christian values and love.

And I believe He was at writerspace when I was there. I didn’t mention Him, but I showed His presence by my comments and how I responded to the publicity.



God has a way of reaching out to the lost that we can’t even begin to imagine.
I grew up as a Christian but I rebelled and left the church when I was an adult and didn’t return to a relationship with the Lord until I was in my forties. When I realized I needed a relationship with Him, there was no way I was going to go to church to find Him. I walked the park every morning and He sent a Christian to witness to me. See, He caught me where I was—in the park. And thankfully there was a Christian available in the park to be that witness.

And when I found that relationship, the Lord found ways to use me where I was. I taught in a public school at the time. Well as mentioned above, we can’t mention the Lord in a public school. But the LORD WAS THERE. I insisted on the minute of silence and explained very explicitly what that meant. I would explain to the students that in the old days we prayed in class to start the day, but now that there were so many different religions in our country and we have the first amendment to the constitution, we had a minute of silence instead. They were allowed to pray to whomever they wanted to and if they didn’t want to pray, they could be silent and think positive thoughts about their day. Then I would go on to explain that since I was a Christian, I prayed to God the Father, in the name of His Son, Jesus and invited the Holy Spirit into the classroom. They also came to know that I took that minute of silence very seriously.

As time went on, the students would really get into that minute of silence. They would ask for it all the time when a friend was ill, or if there was a problem in the class. One time I couldn’t find my keys and one student advised “Teacher, you need to have a minute of silence.” Sure enough we did and the Lord was always faithful to show the students what the minute of silence accomplished.

And ALWAYS there would be students who would ask questions that I couldn’t answer about prayer, the Lord, etc.  But ALWAYS there would be a student in the class who would volunteer to answer and I would tell them to talk about it during recess.

And there were Christian parents on the board who insisted on maintaining Christian values in our schools. One school I was at had astrology signs painted on the walls in the hallway. Christian parents went to the board and insisted the walls be repainted.

Are you getting my point? Even though technically, we couldn’t bring God into the classroom and school, because there were Christians in it, He was there.

And this goes for writing too.

I remember the national RWA conference in Reno in 2005. Debbie Macomber was the keynote speaker. It was not a Christian conference, but Ms. Macomber’s speech was all about how God had worked in her life.  She barely mentioned God, just in a brief reference that she had prayed about her decision to write. But all of her actions, decisions, behavior were a bright witness of God’s love. No one was expecting that. The whole audience was given a taste of the Lord because she is a Christian and she was there. She wasn’t trying to convert anyone nor was it on the agenda as a Christian event, but it happened and lives were impacted.

That is what He has been reminding me of whenever I begin to doubt the path my writing is taking.

I belong to both ACFW and RWA. I belong to the local chapters for both. And while I love being able to pray before a conference or meeting, I also feel it is important to continue to attend the RWA meetings and conferences. By my presence there, the Lord can be there also.

I don’t talk about Him all the time, nor do I evangelize. Those aren’t my gifts. But I must reflect Him somehow because whether I’m at school, at writer’s meetings, on the pickleball court or with family and friends, people come to me and ask me to pray for them or they come and talk to me about problems, etc.

So I guess what I’m trying to say is, don’t isolate yourself because you are a Christian. Get out there in the world and let your light shine. You will be used in amazing and miraculous ways. It isn’t an accident that all four of the Gospels have the command to not hide the lamp under a basket, but to let the light shine. Think of all the ways we can show God’s love in our actions, reactions, lifestyle, interaction with others.

My word this new year was to listen and obey. So I will continue to participate in the world activities where I am led. I will continue to write what I am inspired to write. And I will stop questioning where my work goes.  Hopefully by staying close to Him, His light will shine through me.



How is your light shining? What ways does the Lord use you? I love all the testimonies I hear in Seekerville.

God does love variety doesn’t He?

Please help yourself to a cup of steaming coffee or hot chocolate on this chilly day and share your stories.

Commenters will be put in for a drawing of their choice of one of my books. As announced in the Weekend Edition, CODY THE COYOTE is now out and all of my picture books are on ITUNES. Remember that I write my children's books under my maiden name Sandy Wardman.



Or if you prefer, I will make a $100.00 donation to your charity of choice. I received my first check from Amazon and was pleasantly pleased. So I have to find more places to tithe. smile


February Contest Update

To contact us Click HERE
February, and contests are in the air.  Can you smell the LOVE? Time to contest! No pain no gain! No risk...no reward. 


Because it's February there's a Valentine package for one reader and for one writer. You know the rules. No lurking. For writers tell us what risk you're going to take this month.

Before we get started take a moment to go over to eHarlequin and registered for the May 8th, Happily-Editor-After Pitch Contest with Love Inspired Editors. Don't be a COULDA, WOULDA, SHOULDA WRITER. JUST DO IT!

Editor Emily Rodmell, Associate Editor Elizabeth Mazer 
and Associate Editor Shana Smith


Published Author Contests


 Inspirational Readers Choice. Deadline March 1.


 Daphne du Maurier Award Published Division. 
Deadline March 15.


Carol Award. Deadline March 15.




Unpublished Author Contests

 The Sandy. This contest welcomes published and unpublished authors. Deadline February 10. All electronic. Entry consists of the first 20 double-spaced pages of your novel and up to a 2 page double-spaced synopsis for a total of 22 pages.
    Romance - Katherine Pelz, Assistant Editor Berkley    Mainstream Adult Fiction - Millicent Bennett, Senior Editor Free Press     (Simon & Schuster)    Suspense / Thriller / Mystery - Carlie Webber, Agent at Jane Rotrosen Literary    Fantasy / Science Fiction - Amanda Ng, Assistant Editor Berkley    Children's & YA - Christian Trimmer, Senior Editor Disney Hyperion


The Laurie. Deadline February 14. All electronic. First 25 pages.

Contemporary (ST, series, MS)          Editor, Montlake (tba)
Historical (incl Regency)                     Aubrey Poole, Editor, Sourcebooks
Young Adult (All subgenres)                Debra Dixon, Bell Bridge Books
Inspirational (All subgenres)                Tina James, Senior Editor, Harlequin Love Inspired
Romantic Suspense (ST, series)       Allison Lyons, Editor, Harlequin Intrigue
Paranormal (All subgenres)                Liz Pelletier, Publisher and Editor, Entangled Publishing



The Cleveland Rocks Romance Contest.  Deadline February 14, 2013. All electronic.Entry consists of the first 7000 words. A one page synopsis is optional and will not be counted as part of the entry. The synopsis will not be judged.

Contemporary Series Romance--Laura Barth, Harlequin
Single Title Contemporary--Elaine Spencer, The Knight Agency
Historical Romance--Jill Marsal, Marsal Lyon Literary Agency
Erotic Romance--Whitney Mihalik, Ellora's Cave
Paranormal Romance--Leis Pederson, Berkley
Romantic Suspense--Leonore Waldrip, Harlequin
Mainstream with Strong Romantic Elements--Paige Wheeler, Folio Literary
Young Adult--Leah Hultenschmidt, Sourcebooks




Linda Howard Award of Excellence. Deadline February 22.  Submit the first 25 pages. All electronic.  Category Series Romance:Alethea Spiridon-Hopson, Editor, Entangled Publishing

Single Title:Eleni Caminis, Editor, Montlake Romance      

Historical:Chelsey Emmelhainz, Editor, Harper Collins      

Paranormal/Urban Fantasy:Latoya Smith, Editor, Grand Central Publishing



The 2013 Genesis Contest.  All electronic. Deadline March 15. Contest requires a completed manuscript. Submit the first 15 pages as your entry.
Contemporary-Sandra Bishop (MacGregor Literary), Dave Long (Bethany House), Jacque Alberta (Zondervan)
 Romance-Steve Laube (Steve Laube Agency), Raela Schoenherr (Baker Publishing), Tina James (Harlequin Love Inspired)

 Historical (through Vietnam era)-Greg Johnson (WordServe Literary), Terry Burns (Hartline Literary), Rick Steele (AMG Publishers) 

Historical Romance (through Vietnam era)-Kim Moore (Harvest House), Mary Sue Seymour (The Seymour Agency), Charlene Patterson (Bethany House) 

Mystery/Suspense/Thriller-Les Stobbe (Les Stobbe Agency), Dawn Anderson (Kregel Publications), Jan Stob (Tyndale House Publishers)

 Romantic Suspense-Natasha Kern (Natasha Kern Literary Agency), Tamela Hancock Murray (Steve Laube Agency), Becky Philpot (Thomas Nelson)

 Speculative-Amanda Luedeke (MacGregor Literary), Ramona Richards (Abingdon), Julie Gwinn (B&H Publishing)

 Novella (15K-45K)-Annette Irby (Pelican Book Group), Sarah Freese (WordServe Literary), Jessica Barnes (Guideposts Publishing) 

Category (45K-70K)-Melissa Endlich (Harlequin Love Inspired), Ami McConnell (Thomas Nelson), Sue Brower (Zondervan) 

Young Adult-Molly Hodgin (Thomas Nelson), Kim Childress (Zondervan), Nancy Lohr (JourneyForth Books)



Everything But the Kitchen Sink. Deadline March 1. Electronic submissions only. The contest will be open to all authors of romantic fiction (including romantic elements), published, unpublished, self-published, so long as the work submitted is unpublished in any form. Each entry will be comprised of ALL of the following six components with each one being rated on a nine point scale, like the Golden Heart and RITA:

    one page query letter
    opening three pages
    character introspection snippet — one to two paragraphs
    dialogue scene — one page
    romantic tension scene — one to two pages
    last three pages

...for a total of no more than twelve pages. We will acknowledge the top three finalists for each component. The top finalist from each component (a total of 6 finalists) will have his/her ENTIRE entry judged by Harlequin Editor, Charles Griemsman.



Query Quandry Contest. Deadline March 1. Eligibility: In order to reflect the current publishing environment, entrants may be unpublished or published, and are not required to be RWA® members. In fairness to entrants, we encourage entries that focus on a romantic story arc.
Historical: Tessa Woodward, AVON
Short Contemp/Novella: Patience Bloom, Harlequin
Contemporary Single Title: Megha Parekh, Grand Central Publishing
YA: Ginger Clark, Curtis Brown
Fantasy/Futuristic/Paranormal: Andrea Somberg, Harvey Klinger Assoc.

Queries must be constructed in standard query format and must be no longer than one page. For purposes of the contest, please use a generic "Dear Agent" or "Dear Editor" greeting. For a closing, in place of your name, please use "Author." Do NOT use a pseudonym or make up a name for purposes of the contest. Prizes: Amazon gift cards for all first-place finishers


Great Beginnings. Deadline March 1. Electronic entries. Submit the first five pages of your manuscript.Contemporary: Brenda Chin, Harlequin BlazeHistorical:Pamela G. Ahearn, The Ahearn AgencyParanormal: Carolyn Grayson, Ashley Grayson Literary AgencyMystery/Suspense: Laurie McLean, Nelson Pomada Literary AgentsYoung Adult: Cheryl Pientka, Jill Grinberg Literary Management


Fab Five. Deadline March 1. This contest now has an inspirational category. Let's not let them down! An entry consists of the opening pages of your unpublished novel, up to 2500 words. 
Historical: Amanda Bergeron, Harper Collins
Inspirational: Natasha Kern, Natasha Kern Literary Agency
Paranormal: Latoya Smith, Grand Central Publishing
Romantic Suspense: Katherine Pelz, Berkley Publishing
Series Contemporary (L/S): Dana Hopkins, Harlequin Enterprises
Single Title: Nalini Akolekar, Spencerhill Associates
Women’s Fiction: Paige Wheeler, Folio Literary Agency
Young Adult: Laura Bradford, Bradford Literary Agency


 
Daphne du Maurier Award Unpublished. Deadline March 15. Electronic.Submit one (1) Electronic Entry of no more than the FIRST 5,000 words of your manuscript & one (1) Electronic Synopsis in the same document with no more than 675
words. Final Round Judges have agreed to judge on the first fifteen pages (15 pages) of the
entry. The additional ten pages are for final round judges who wish to continue reading.

Categories & Final Round Judges
CATEGORY (SERIES)
Editor: Wanda Ottewell – Harlequin Romantic Suspense
Agent: Scott Eagan – Grayhaus Literary
HISTORICAL
Editor: Wendy McCurdy - Berkley Sensation
Agent: Courtney Miller-Callihan – Sanford J Greenburger Associates
INSPIRATIONAL
Editor: Elizabeth Bistrow – NAL
Agent: Diana Flegal – Hartline Literary Agency
MAINSTREAM
Editor: Faith Black - Berkley
Agent: Beth Campbell - BookEnds LLC
PARANORMAL
Editor: Denise Zaza – Mira
Agent: Amy Moore-Benson - AMB Literary Management
SINGLE TITLE
Editor: Kerry Donovan - NAL
Agent: Nephele Tempest - Knight Agency



Spring Into Romance. Deadline March 16. First 25 pages. Electronic.Contemporary Single Title Romance: Kate Studer (Editorial Assistant, Harlequin Mira and Overseas Editorial)

Novel w/ Strong Romantic Elements/Mainstream: Suzie Townsend (New Leaf Literary and Media, Inc.)

Contemporary Series/Category Romance: Alethea Spiridon Hopson (Editorial Director, Entangled Indulgence / Senior Editor Entangled Publishing)

Paranormal Romance: Dana Hamilton (Editorial Assistant, Harlequin Nocturne/Nocturne Cravings/Intrigue)

Historical Romance: Laura Bradford (Bradford Literary Agency)

Suspense/Adventure Romance: TBA
Young Adult Romance: Kevan Lyon (Marsal Lyon Literary Agency)




Fire & Ice. Opens February 16. Deadline March 22. Electronic.  Submit the first 6,000 words.

 Single Title Romance:
Sha-Shana Crichton, Agent, Crichton & Associates

Series Romance
Allison Lyon, Editor, Harlequin

Historical Romance
Jill Marsal, Agent, Marsal Lyon Literary Agency

Erotic Romance
Jeanne De Vita, Editor, Musa Publishing

Women's Fiction
Alex Logan, Editor, Grand Central Publishing

Paranormal Romance
Deb Werksman, Editor, Sourcebooks

Young Adult Romance
Kathleen Rushall, Agent, Marsal Lyon Literary Agency



Random Contest Stuff
Macmillan Children's is adding a "crowdsourced teen romance imprint that will work with both writers and readers to discover (and then publish) the best, most SW♥♥N-worthy, teen romance novels." Called Swoon Reads, it will be part of  Feiwel and Friends. They will open for business next spring, and the website says manuscripts "chosen by the community and the SW♥♥N Reads publishing team" will get a $10,000 advance and a standard world rights contract.

Southern Writers Fiction Short Story Contest. Deadline March 1. All electronic. 2,500 words or less. Cash prizes.

Jeffrey Archer Short Story Contest. Deadline February 15. Electronic. 100 pages. One lucky winner will be awarded the grand prize of free enrollment in an upcoming Curtis Brown online novel writing course.






Seekerville is delighted to announce Debra Marvin as this month's Contest Diva. Kudos to her for her persistence and dedication on the contest circuit!

In honor of this month's Contest Diva, (because once a Contest Diva, always a Contest Diva) I am additionally giving away one copy of my April Love Inspired release, Mending the Doctor's Heart in print. Just mention it in the comments. 
And this just in..Contest Diva Debra Marvin is offering a contest entry critique. That's one critique to one writer who is entering a contest this month-or entering a contest listed above. Winner announced in the Weekend Edition. Just tell us in the comments you want to win a critique!!

EXTRA!!! Author Gina Welborn is offering to do a free Genesis entry critique. Tell us you want it! Deadline is tonight when the Weekend Ed. goes up. 
MORE!!!! Author Christina Rich is offering to do a Genesis entry crit!!  
 

That's it! Now go forth and contest!


I’m ready for my chance

To contact us Click HERE

A brief story about myself (what could be morefascinating, huh?) and the kind of flexibility that would make a circus contortionist green with envy. 
I say often here that I wrote for ten years before I gotmy first book published and when that fateful day came that I received acontract, I had twenty finished books on my computer.I think of this now as….NOT a decades-long slog spent inmole-like anonymity. (well, I think of it as that some!)

But mostly I think ofit as the time I spent getting ready for my chance. 
I want to talk today about whether an unpublished authorshould write a series. This can be tricky because so many acquiring editorsaren’t going to buy three books (or however long your series is) from a firsttime author. No, they want ONE book and if your book is tied up in a series,then does that ONE book stand alone well enough that they’ll go for the one andkeep you in mind for the next two if the one sells well.
My first long book Petticoat Ranch ended up being a series. ButBarbour Publishing just bought the one. When they offered me that contract Ihonestly didn’t pout and say, “HEY I’ve got two more books here, and now theyare ORPHANS.Nope, I was too thrilled to sell the one book, for theother two, all I had was hope.So here’s the thing with series, especially when you’reunpublished. Those books need to stand alone but they need to have thepotential for a series. The books I do now are often laid out in an obvious ‘series’style. Three brothers. Three sisters. Three Army buddies. It’s pretty obviouswho’s going to be the leading man in each of the three books. 
But if you’veread Petticoat Ranch and can remember, that book wasn’t like that. PetticoatRanch had the heroine in it who ended up starring in Calico Canyon, but Gracewas the school marm. Not particularly important, though she had some troubles.Mostly, Grace was just a secondary character who appeared in a couple of scenes.So I wrote those books, very deliberately, to sell aloneor together. But there’s more to it than that.

Also, in the original form, both Montana Rose and The Husband Tree were completed books that had nothing to do with each other. They were in different states. Belle Tanner was certainly not a character in Montana Rose. For that matter, Tom Linscott, who ended up appearing in six books, started out as a 'cranky area rancher who didn't mind bidding against Mort Sawyer for Cassie Dawson's ranch.' That was it. He had no part. All of these characters emerged as I put series options together.
When I sold, I was pitching a lot of different books. I took four one sheets to ACFW that year. Historical romance. Love Inspired Length. Heartsong Presents Length. Contemporary romance. One series I was pitching was a threebook series with fraternity brothers, each with their own troubles after theygot out in the world. At the time I called it From Here to Fraternity, which Istill think is cute.
They were set in modern day Houston among the rich andpowerful in the corporate world. Which ended up not being my thing, huh?
Two of those books have never sold, one sold as CluelessCowboy in a different series. I have a really soft spot in my heart for Clueless Cowboy because it is the second or third book I wrote. (whether it was second or third has been lost in the mists of time-or more accurately, lost in the air pockets in my brain!) That book has for a hero, a burned out rich guy living in a derelict house far from  the nearest town, trying to ‘getback to nature’. You can maybe see how he used to fit with those powerfulcorporate types, though so much of his backstory got cut and changed I doubtanyone would ever think of it.
Well, when I had that three book series finished, I didn’tjust set it aside. By this time I was learning enough about the market that Iknew these books would be a fit for Heartsong Presents, Love Inspired or theycould stand alone. The trouble with that is those lines are all different lengths.
So, I rewrote them, each three times. I wrote full lengthnovels, around 90,000 words. Rewrote them again to Love Inspired length atabout 55,000 words, then cut them each again to 45,000-50,000 words forHeartsong Presents. And as I rewrote them I kept in mind that they needed to stand alone or work as a series. And btw, when I say I had 20 finished books, I am NOT counting these as nine of them.
This way when I talked with editors at the ACFWConference and pitched my book I could honestly say, “Yes, this is book is finished and it's the rightlength for an HP. It can stand alone but I've got an idea for a series....”So I didn’t just write three books, I turned those threebooks into NINE books. And this is what I think of when I say, “You need to beready when your chance comes.”
When finally Heartsong Presents wanted a book from me, itwas clear by then that they were more interested in small towns and/or ruralsettings. 
So I tossed out the two books of the three set so firmly in Houston’scorporate world and dragged out another short book, Buffalo Gal, I’d written set around aBuffalo Ranch in Nebraska and pitched those when HP was doing their STATESbooks. 
I didn’t just promise to move Clueless Cowboy from a small town nearHouston (thinking I could do it later if they bought it). NO! I did it. I rewrote it and set it in the Sandhills of Nebraska.
 And then pitched a third book that I had in mind for asecondary character from Buffalo Gal as the third book, this one stillunwritten.
Heartsong Presents was interested but they’d already sold “Nebraska.” Could I possibly move my book toSouth Dakota?
You all know the answer to that, right? It is: “ABSOLUTELYI COULD! IT WOULD FIT PERFECTLY IN SOUTH DAKOTA!!!”
So I’d already rewritten The Clueless Cowboy to divesthim of the connections to that original three books series AND moved him from Texas toNebraska, now I uprooted him again and moved him to South Dakota, and Iuprooted Buffalo Gal right along with Clueless Cowboy and then, finally, whenthat was all in order, I could write book three, The Bossy Bridegroom, set inthe place it was always meant to be, a small town in South Dakota’s BlackHills, near a buffalo ranch and a strange hermit who’d turnedinto a heroic…if clueless…cowboy.

These three sweet contemporary romances are all available as ebooks these days if you'd like to read them.
This is what I mean when I say “Be ready for your chance.”
The answer to editors is always, “Yes, I can jump, and howhigh would you like me?”
You need to be able to say, “My books is done, I can haveit to you today.”
You need to say, “I’m ready for my chance.”
Today I'm again urging you to GET YOUR AFFAIRS IN ORDER. We are gearing up for SPEEDBO. (James Earl Jones)

We are all trying to get ready for our chance.
So tell me what you can do to a book you currently have finished but that isn't selling? Can you move it? Can you connect it to a series? Can you rip it out of a series? I'm not saying you have to, or even should, but you need to open your mind to the possibilities. Don't limit yourself due to a lack of imagination--because if there is one thing a writer has it's a good imagination!!!

Leave a comment to get your name in a drawing forTHE FIRST EVER IN THE KNOWN UNIVERSE GIVEAWAY OF SWEPT AWAY!!!!!!! 
I DON'T HAVE MY COPIES YET BUT TODAY WE'LL PICK A WINNER AND I'LL GET IT TO YOU AS SOON AS I CAN.
SWEPT AWAY 
coming in March from Bethany House Publishing
Swept away when her wagon train attempts a difficult river crossing, Ruthy MacNeil isn't all that upset at being separated from the family who raised her. All they've ever done is work her to the bone. She prayed for a chance to get away, and then came the raging flood. Alive but disoriented, she's rescued by Luke Stone...so unfortunately, there are more chances to die in her immediate future.

Luke is heading home to reclaim the ranch stolen from his family. But the men who killed his father are working hard to ensure Luke doesn't make it alive. He has no choice but to keep moving. Still, he can't just abandon Ruthy, so she'll have to come along.

Available for Pre-order on CBD.com

His friends--a ragtag group of former Civil War soldiers--take a fast interest in the pretty gal. Luke thinks that's rather rude--he's the one who found her. And the more time he spends around the hard-working young woman who is a mighty good cook, the more he finds himself thinking beyond revenge and toward a different future. For the first time in a long time, Luke is tempted to turn from his destructive path and be swept away by love.
~~~FIRED UP
In the wild west being a pretty woman has it's advantages. Like if a lady can't cook, the men come to the diner anyway and are honored to accept her  burnt offerings. Glynna Greer, a woman with a powerful fear of rawness is on her way to being the richest woman person in town.
Jesus sent the disciples out to practice medicine without a license so Dare Riker figures he can, too.
The only thing stopping them from firing up a romance is: 
1) Her hostile son who probably isn't trying to kill Dare 
2) The fact that Dare killed her brutish first husband--which isn't that big a deterrent, still it's kinda awkward
3) The repeated attempts on Dare's life. 

Sort all that out and these two could be happily married and also make a fortune. Glynna feeding the local men, Dare treating stomach ailments. 

Newly available on Christianbook.com FIRED UP, book two in The Trouble in Texas series, in bookstores in August 2013
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http://www.maryconnealy.com

Please welcome our Guest Nancy Mehl

To contact us Click HERE

Settings, Backstory and Descriptions
One of the toughest things for writers to handle well hasto do with telling readers about settings, explaining backstory, andcommunicating personal descriptions. Many times, long passages of narration(exposition) are used to tackle this issue, but narration will actually slowdown your story. I encourage writers, whenever possible, to use dialogue toaccomplish these goals.
Let’s look at two ways of writing the same scene. In oneexample I’ll use exposition to describe the setting.
Sarah gazed aroundthe room. The walls were painted an awful shade of green, and the floors werecovered with chipped, pink linoleum. She pulled out a chair from one of thebroken tables and inspected it carefully. Deciding it was clean enough to risksitting on, she carefully lowered herself onto the cracked plastic. Bringingthe abandoned café back to life would take more work than she was willing to doalone. If the Breadbasket Café ever welcomed customers again, Roger would haveto roll up his sleeves and pitch in. Years ago, the Breadbasket had been themost successful business in the small town of Dunfield. But that was a long,long time ago. Sarah ran a finger down the middle of the dusty wooden table.Maybe this was a lost cause.
Now, let’s do the same thing with dialogue:
                “Wow. I had no idea this place was such amess,” Sarah said, gazing around.                “The Breadbasket closed a longtime ago, Sarah.” Roger frowned at her. “What did you expect?”                She shook her head. “I don’tknow. But not this.”                “The whole place needs to beredone. This awful green paint on the walls reminds me of mold.”                Sarah grinned. “But it looks sogood with the pink floor.”                Roger didn’t smile. “We’d haveto pull all of the linoleum up. Even if the color wasn’t disgusting, it’s badlychipped.”                Sarah pulled out a chair andafter inspecting it, sat down gingerly on the cracked plastic seat. “Look, thisplace used to be the most popular business in town. If we work hard, we canbring it back.”                Roger grunted and sat down onthe other side of the dusty wooden table. “Dunfield has a population of sixhundred people. Most of them farmers who live out of town. I’m afraid you’llnever get enough customers to make all the effort worthwhile.”                She looked at Roger throughnarrowed eyes. “But I want this.”                Roger stared back at her. “Idon’t.”
Through dialogue, we’ve brought two characters into thescene, and almost all the exposition detailing the setting has been replacedwith dialogue. The backstory about the café and the town of Dunfield was alsorevealed through dialogue. I also used Roger, a secondary character, to createconflict for Sarah. We know that Sarah needs Roger’s help, but Roger isn’t inagreement. The second example is much more active and interesting than thefirst. When you need to share setting, descriptions, back story or conflict,use dialogue!
Now, what about describing your characters? Paintingpictures of your characters can be much more interesting if you allow anothercharacter to do it instead of using narrative passages. Here’s an example:
Instead of:
Sarah had dark red hair, green eyes, and a dimple in herchin.
How about:
“I wish I looked like you,” Tonya said as Sarah stood infront of the mirror on her dresser, combing her hair.                 Sarahlaughed. “Don’t be silly. You have gorgeous blond hair and beautiful blue eyes.Why would you want to look like me?”                Tonyafell back on Sarah’s bed and stared up at the ceiling. “You don’t knowanything, do you? Blond hair is so out. Redheads are the rage. And your eyes.Wow. Green eyes and red hair. You’ve got it all.”                Sarahshook her head. “You’re goofy. I suppose you think this stupid hole in my chinlooks good.”                 “Anangel’s kiss.”                Sarahgiggled. “You’re losing it.”                Tonyasmiled dreamily. “My mom told me once that dimples mean you were kissed by anangel.”                Sarahfrowned. “But you don’t have any dimples.”                Tonyasat up and grinned at her friend. “Yes, I do. But you’ll never see them.”
Click to Buy on Amazon
Two other important things to remember! Whether it’s yoursetting or your characters, don’t dump all your descriptions at once, even whenyou’re using dialogue. Weave these tidbits throughout your story. The onlyexception to this has to do with your lead character and his or her loveinterest. Readers want to get a clear picture of them early so they canconcentrate on their story.
Don’t over describe your characters! Give just enoughinformation so that your reader will be able to create their own images.Engaging a reader’s imagination will cause them to be more invested in yourstory.
Leave a comment to get your name in a drawing for a copy of Unbreakable~~~~~~~~~~~~~~~ Nancy Mehl lives in Wichita, Kansas, with her husbandNorman and her very active puggle, Watson. She’s authored fourteen books and iscurrently at work on a new series for Bethany House Publishing. The first bookin her Road to Kingdom series, “Inescapable,” came out in July of 2012. Thesecond book, “Unbreakable” released in February of 2013.All of Nancy’s novels have an added touch – something foryour spirit as well as your soul. “I welcome the opportunity to share my faiththrough my writing,” Nancy says. “God is number one in my life. I wouldn’t bewriting at all if I didn’t believe that this is what He’s called me to do. Ihope everyone who reads my books will walk away with the most important messageI can give them: God is good, and He loves you more than you can imagine. Hehas a good plan for your life, and there is nothing you can’t overcome with Hishelp.”Readers can learn more about Nancy through her Web site: www.nancymehl.com or her blog www.suspensesisters.blogspot.com.She is also active on Facebook.

Two for the Price of One – Writing Together with Guest/s Sparkle Abbey

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Mary Lee and Anita aka Sparkle Abbey

2013 is shaping up to be a busy year for Sparkle Abbey! Kitty Kitty Bang Bang, our third book, came out the end of December and we just turned in Yip/Tuck which will be the fourth book in the Pampered Pets mystery series. We’re busy promoting the first three books and last weekend we plotted out books five and six. Our writing friends ask all the time, “How do you do it?”

Well, the trick is there are two of us. Collaboration has been such a blessing for us, we’re having so much fun with the series and these projects have done well. However, we like to tell other writers who are considering collaboration, the good news is there are two of us and the bad news is there are two of us.

Here’s how we ended up writing together

We had belonged to the same RWA chapter and the same critique group for several years and had been writing and submitting fiction separately. We’d both received very “good” rejections from publishers and agents and then had a conversation with a NY agent at a RWA conference. Her advice on high-concept hooks was brilliant and we brainstormed some ideas. Because the idea of setting a mystery in the world of people and their pets was something we came up with together, we decided to team up on the series.

We could have done this a number of different ways

There are many different ways of working together on a book. Here are a few.
•    Division of Talents – One writer outlines and plots the story. The other does all the writing. One or both may polish the completed story.
•    Chapter by Chapter – The two plot the story together and then each writer takes a chapter.
•    Sentence by Sentence, Word by Word – Everything is written together.

We’ve taken a somewhat unique approach to co-writing in that we take turns writing the individual books. The odd-numbered books star Caro, a psychologist turned pet therapist, and are written by Mary Lee. The even-numbered books star Mel, a pet boutique owner, and are written by Anita. We share the stories’ Laguna Beach setting and some quirky secondary characters. Also, the two main characters, who are cousins, have cameos in one another’s books. We work closely together on the outline for the series and the individual books and we frequently work across the table from one another either at ML’s dining room table or at Starbucks. But each of us writes a full book. It works for us.

Others use different methods. Lynn Kerstan and Alicia Rasley worked together completely via email. The result was Gwen’s Ghost, the first collaboration to win a Rita award. When asked her advice to those considering a joint project, Lynn says, “For me, mutual respect between collaborators is the prime value. A sense of humor is a close second.”

On the other hand, some do the co-writing in person. Donald and Renee Bain who write the “Murder She Wrote” books share office space. Don has an office and Renee has an office and they each work separately but between their offices is a conference room. They meet there to hash out details. Don says, “We're both good at putting aside our egos in the interest in coming up with the best book possible. We have a rule that if something in the manuscript causes one of us to pause and ponder, it probably needs fixing.”

Ellery Adams and Sylvia May, who write the NY Times bestselling “Novel Idea” mystery series as Lucy Arlington, also co-write via technology. They brainstorm over the phone and set-up a writing schedule. Once the schedule is established, one writes the first half of a chapter and then the other critiques it and writes the second half.

There are other variations of writing together such as Joyce and Jim Lavene, who have written over 60 books together and have published in almost every genre. Their computers are networked together and they tell the story back and forth until they have a first draft. Once they have a first draft, they read the manuscript aloud. Joyce says, “You have to really trust another person to share the first inklings of ideas you might have, those delicate, fragile things that can be easily destroyed by the wrong words from another person”.

You’ll remember we said the good news is there are two of us and the bad news is there are two of us.

First the good news

Two heads really are better than one. We plot together. We work out story problems together. There is a wonderful synergy and a creative boost in working with another writer. It’s the best!

The responsibility is split. We work on promotions together. When one of us is on deadline, the other can continue work on other things.

You have company on the crazy train. Truly publishing is a crazy business and being in it together provides incredible moral support.

You have someone to share the ups and downs of the journey and someone to celebrate with when the book is done or when it hits that bestseller list. (Desperate Housedogs hit #1 in Amazon’s Bestselling Mysteries last year. Whoo hoo!)

And now the bad news

It’s not all about you. Every step of the way there will be compromise.

You’ll need to spend time finding just the right creative process. What worked for you individually may not work when writing with someone else.

You make half the money. While the responsibilities are split, so are the advances. So is the royalty check.

Oh, and did we mention it’s not all about you…

The legal aspects of collaboration

There’s more than just the creative part of going down the path of co-writing a book. You’ll need to decide if you want to incorporate or not. Additionally, we recommend (and our publisher required) a collaboration agreement. We laughingly tell folks this is the most depressing document we’ve ever worked on – and we’re only partly kidding. The agreement will spell out who is responsible for what, what happens if one of you is incapacitated, or dies. What happens if one author wants to continue and the other does not. It’s pretty much a pre-nuptial agreement for authors.

Other important things

Much like a marriage, it’s important that you share the same values. That you agree on priorities. We can’t stress this point enough. Family is important to both of us and trumps everything else. We both believe in hard work and getting things right. Also, as is true in any relationship, communication is key. Keep the communication channels open. We were friends before we were co-writers and we remain friends today.

If you’re considering working with another writer on a project, you need to have an open discussion about what that means. We started down this path for a number of reasons and have been truly blessed by the opportunity to work together on a really fun series. That said, what works for us so well may not work for others at all, but we’re always happy to answer questions about our experience and what we’ve learned along the way, so feel free to post your questions or email us if you think of them later.

A huge thanks to Tina Radcliffe and Seekerville for inviting us!

Mary Lee and Anita aka Sparkle Abbey

Sparkle Abbey is the pseudonym of mystery authors Mary Lee Woods and Anita Carter who co-write the Pampered Pets Mystery Series. 

Book One: Desperate Housedogs
Book Two: Get Fluffy
Book Three: Kitty Kitty Bang Bang
Book Four: Yip/Tuck (coming summer 2013)

www.SparkleAbbey.com


















Sparkle Abbey has generously donated Books 1, 2 and 3 in the Pampered Pets series that will be given to one commenter. But you must leave a comment tell us you'd like to win! Winner announced in the Weekend Edition!



5 Şubat 2013 Salı

Enter to win digital copies of Dan DeWitt's novels, Orpheus and Odinsons!

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Title: Orpheus
Author: Dan DeWitt
Genre: Horror (Zombies)

Synopsis: Cameron Holt is fortunate enough to survive the initial outbreak that turns his New England island community into a hive of the undead. So is his son, Ethan. Now, the only thing keeping Holt going is the determination to rescue his son from the undead...or remove him permanently from their ranks. Unfortunately, zombies aren't the only thing getting in his way.

Reviews

Orpheus received two five-star reviews from The Masquerade Crew.
  • Sharon's Review
  • Bec's Review
Also up for grabs in this giveaway are digital copies of Odinsons, another of Dan's novels. Click here to learn more about it.

    An Interview With The Author—Dan DeWitt

    What's your writing background?

    Nothing too exciting. I have a Bachelor's degree in English, which means next to nothing when it comes to writing fiction. Still, I took a bunch of creative writing classes and really enjoyed them. Before that, I dabbled in short stories here and there, but wasn't ready to try and make a career out of it. I wrote one screenplay in 2001 that advanced to the second round at Austin (and I'm about ¼ of the way into its novelization). I've always been a voracious reader, and I got really serious after participating in NaNoWriMo in 2006. Since then, I've published a couple of short stories in e-zines and one non-fiction profile in a local magazine. But I'm really just a guy who loves to read fiction and tell a story from time to time.

    To read more of this interview, click here.

    Connect with the author:
    • Facebook
    • Twitter
    • Smashwords
    • His Personal Blog
    Enter to Win!





    The Dazzling Book Report, by Jane O'Connor

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    Fancy Nancy likes to use fancy words, so when she gets to write a book report, she chooses one with the fancy name of Sacajawea. Nancy spends most of her time creating a dazzling book report cover that reflects her artistic talent. After all, she is the second-best artist in her class. Writing two sentences is all she can muster before she falls asleep. Crestfallen, she admits to her teacher her error in spending too much time on the cover. Her teacher becomes her heroine when she asks Nancy to tell the class about the heroine, Sacajawea.

    This story is a learning lesson about time management with a tiny bit of history. The colorful illustrations are bright and fun, and defining the fancy words within the story was a great idea.

    Reviewed by a staff member, First Regional Library
    Viewor Place Hold in Library Catalog